To utilise this, performers should obtain the Mandozzi edition from IMSLP, and replace the relevant pages with the ones contained here. It is published with the goal of making the Grande Sestetto Concertante more feasible to perform, particularly when there is an absence of a cellist of virtuoso level. This scholarly perfomer’s edition has been constructed with reference to Mozart’s original, and in consideration of factors of performance during the time of the sextet arrangement that do not apply to the context of current performance, as detailed in the Congress presentation and in the subsequent published article. This publication is thus published under the same CC BY-NC-SA 4.0 license in compliance with these conditions of use. The Mandozzi edition is in the public domain under a Creative Commons Attribution-NonCommerial-ShareAlike 4.0 International license that allows for adaptation under the conditions of attribution, non-commercial use and distribution under the same license without any additional restrictions. The practical output of this research is in the form of adaptations to the Orfeo Mandozzi edition, available via the International Music Score Library Project (IMSLP). This research was presented at the 44th International Viola Congress in Wellington, New Zealand in 2017, and was published as “No Museum Pieces: A Practical Take to the Grande Sestetto Concertante” in the proceedings, published by the International Viola Society. If you wish to buy this or another edition, click the link, you can find the.This publication constitutes the practical output of the research on the Grande Sestetto Concertante, the anonymously published string sextet arrangement of Mozart’s Sinfonia Concertante for violin, viola and orchestra, KV364. There is no autograph of the Sinfonia Concertante, but in this edition you can see some differences between the two versions, possible different fingerings and use of strings, and then choose the one you prefer to use for your study or performance.
I always like seeing an edition which is as close as possible to the composer's intention, maybe a facsimile of the manuscript or the first edition, anyway an edition where is clear what the composer wrote and what the editor wrote. Editions of Mozart Sinfonia Concertante There are several edition to choose from, but my favourite one is this which comes with two viola parts: the original written by Mozart in D major, to be played with the scordatura, and the transcription in E flat. Since then, more and more performers have recorded it, making it more popular. By the way, in his autobiography Tertis strongly recommmends to play it in the original key, with the scordatura.
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